Think Spot Four
Sunday, November 27, 2022
Friday, November 25, 2022
Think Spot Three
December 30, 2021
A continuation of Mr. Burdick's discussion about beauty in music & other things
00:00 introduction
00:13 About video music
00:49 The Woodpecker,, Op. 231
01:00 Yellowstoner Suites I & II
01:05 Waterton Waterfalls, Utah Suite, Op. 236,
01:24 PalissadeFalls, Shoshone Falls, Op. 252
01:42 The Planets, Op. 19 & Charon, Op. 254
2:15 Glacier Suites
2:30 Across To Pompey's Pillars
3:44 Shoshone Falls, Op. 252
4:20 Makushika State Park (Op. 262) Warning: Weird music
6:54 Scenes of Butte County
7:14 Beauty (limitations)
8:03 Andy Warhol mention - fascinating
Wednesday, November 16, 2022
Richard O. Burdick's
Think Spot Two
December 17, 2021
Richard is a Canadian/American French hornist, composer, author, recording artist and publisher.
A continuation of Mr. Burdick's discussion about beauty in music and other things
00:00 Dr. Pepper introduction
00:23 Richard starts talking
00:37 Hovhaness book
01:22 I Ching Music the book
01:55 Pet Peeve - "crescendo"
03:25 quick note about Richard's recent CD's
04:00 Natural horn
05:40 authenitic practise - hand size
06:40 Beethoven
09:00 Beutiful door knob
09:55 beauty and the harmonic series
14:05 Dr. Pepper introduction backwards
Tuesday, November 15, 2022
Richard O. Burdick's Think Spot One
December 13, 2021
Richard is a Canadian/American French hornist, composer, author, recording artist and publisher.
In the interview:
An introduction
1 - Dr. Pepper introduction
2 - Beethoven Sonata Horn Call on Krupse Sansone horn
3 - Limitations in music
4 - A visit from Brighton the Cat (2:40)
5 - limitations = scale
6 - I Ching suggested scale (1980)
7 - the way I use I ching as scale
8 - scales of northern India
9 - I Ching Scales are 8 tone scales
10 - Shau Yung circle = I Ching cycle
11 - fixed tonics and tuning
fascinating
12 - a start of an exploration of beauty in music.
13 - the cabinet (door knob)
Also an introduction of CD's 46 - 66 the recording that were releases in the "covid time" so far . . .
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